Kyoto Animation deserves all the praise they get. Especially after overcoming the loss of dozens of people with the fire in 2019.
Not to mention coming out of that in one peace, and refusing to give up as a company.
That’s one reason why they’ve always been my #1 studio. The other is their innovative mindset and approach.
Let’s talk about that.
1. They create their own lane
If I had to choose only one studio forever, Kyoto Animation would still be #1. Though that would be extreme.
So why do I endorse them so much?
One thing Kyoto Animation does well is they carve out their own lane and stay in it.
They don’t believe in the daft notion of “if someone else does X, I must do the same”.
They don’t chase the tails of other studios, regardless of how successful they might be.
Competition and trying to “compete” by keeping up with the joneses is not in Kyoani’s DNA.
It’s why they’re successful.
You can see this by how FEW
Violet Evergarden is a good example of this.
Released in 2018, it was one of a few
It doesn’t reek of “copy and paste”, and it doesn’t feel like it’s rehashing or mimicking some dumb cliche or
It’s an original piece of work, regardless of whether you think it’s a masterpiece or average.
That’s part of what makes Kyoto Animation innovative. They create their own lane and don’t stray from it.
I myself look at the world that way.
I’m driven to do or create things that weren’t there before, and I DON’T follow the crowd or worry about what everyone else is doing.
That’s how Anime Motivation started in the first place.
Another example (a classic one) is Clannad. It started a trend of sorts.
I doubt they meant to do it, but they DID do it because they stayed in their unique lane.
It’s a classic slice of life series with romance and comedy.
First season is good, 2nd season is a masterpiece. The element of surprise is part of why, and the emotional journey that comes with it.
Only after Clannad did you see the trend of “cute, wholesome romance
Kyoani are innovators by their mindset.
Innovators are what creators should strive to be. It’s not creativity otherwise.
K-On is another
“Moe” and the trend of Moe can be traced back to
It wasn’t the first, but it did blow it up.
On the surface, K-On’s not unique at all.
- Cute girls doing cute things.
- Drinking tea.
- Eating cakes and sweets.
- Making music together.
And that’s basically it. But the thing is, in 2009 that was fresh.
The fact that it has no real plot in a slice of life format, and how it managed to make every episode (debatable) full of laughs and silly sh*t shows effort on their part.
It’s “good” freestyling with personalities that are different but good enough to mesh and have chemistry.
The art style sold it more than they realized I bet.
Yuru Yuri (released in 2011 by Doga Kobo) was influenced by K-On, and continued the Moe style made popular by Kyoani.
Fast forward and we had A Silent Voice in 2016.
It touched on the topic of suicide from the perspective of a disabled girl (deaf) being bullied for her differences.
This was a different angle for Kyoto Animation, and it worked well.
It was relatable to the millions of people who are bullied for their differences, especially when those differences are disabilities.
A new angle or approach is all it takes to carve out your own path or bring something creative. And Kyoto Animation are in the habit of doing this and behaving in this way.
They prove it over and over again almost every year.
2. They lead by example
Like innovators and creators are supposed to do, Kyoto Animation leads by example. And have been doing since the beginning.
Well, not literally but you get the message.
- Full Metal Panic (2003).
- Air (2005).
- The Melancholy Of Haruhi Suzumiya (2006).
- Kanon (2006).
- Lucky Star (2007).
- Clannad (2007).
- K-On (2009).
- Hyouka (2012).
- Chuunibyou (2012).
- Tamako Market (2013).
- Free! Eternal Summer (2013).
- Beyond The Boundary (2013).
This isn’t a full list of
Each year they release an
Even if it’s not the to the biggest degree (like Air).
We can even take a step further:
- In 2014 they made Amagi Brilliant Park.
- In 2015 they made Hibike Euphonium.
- In 2016 they made A Silent Voice.
- In 2017 it was Miss Kobayashi’s Dragon Maid.
- In 2018 it was Violet Evergarden.
None of this is by accident, but by design.
You just don’t make this many “good”
That formula is leading by example and carving out your own path, instead of worrying about so called competition.
It’s worked well for Kyoto Animation, and it’s what makes them stand out as an anime studio.
Or even an
Progress, not perfection
Are ALL of Kyoto Animation’s
Of course not. There’s no such thing.
You can’t consistently create and expect it to be new every single time. Humans aren’t perfect like that.
Musaigen no Phantom World.
It’s made by Kyoani.
I don’t claim to have watched it all (it’s one of the few of theirs I haven’t seen) but it’s one of their “least” creative or great series.
There are clear rehashes of cliches in this one. But it’s more than just that.
That being said, you’re not supposed to have a perfect swing with the bat no matter how experienced you are.
Progress, NOT perfection. That’s the key to standing out in the long run.
Overall, Kyoto Animation is definitely a master at following their own path and schedule. And not being distracted by flashing lights.
They might turn the dial up on MOE every now and then. And their
They know their lane, their strengths, and stick to it.
Every now and then they go beyond and find a way to bring something different to freshen things up.
They give their
Put some RESPEK on their name.