Crunchyroll is an anime
Even though companies like Funimation started before Crunchyroll and had success, Crunchyroll still surpassed them in relatively little time.
Crunchyroll also managed to get big deals with anime studios, copyright licensors and more. Making Crunchyroll’s history peculiar.
Let’s talk about HOW this all came to be before the year 2022 and beyond.
The history of Crunchyroll:
1. Starting out as anime pirates in 2006
Believe it or not, but Crunchyroll didn’t start out as a company with boat loads of money, or a company that received funded out the gate for how innovative or different it was.
Let alone a company that was worked on for years through hard work or whatever (FUBU, etc).
None of that could be further from the truth with the exception of over $10K put into it from the founders.
Some of you will be surprised to know Crunchyroll started out as anime pirates, no different to:
Or any other anime
The story began in 2005 with 4 university engineers in California. Crunchyroll was a “side” project at the time.
2006 is when the site went live and was the time everyone (a limited amount of people I should say) knew about Crunchyroll.
Being a user generated pirate site, they allowed fans to upload:
- Anime videos.
- Anime shows.
- Anime movies.
- Anime OVA’S.
And essentially anime content that the Crunchyroll owners would come to make money off, naturally. Especially with more and more anime content flooding the site.
In this way, it was similar to how YouTube started since that site (even though it’s still kinda true) was rife with copyright infringement. And many copyright holders complained.
This is the same scenario with Crunchyroll during that time, but the convenience of it being a “user generated” site, at least in name, justified the actions and they pursued it in spite of criticism.
Anime news network complained a lot about Crunchyroll
Many people in the industry pointed fingers at Crunchyroll, but ANN (Anime News Network) had the most fingers to point without a doubt.
In an interview with one of the owners behind Crunchyroll, at least at the time, ANN essentially interrogated Vu Nguyen.
Many of the questions were about Crunchyroll’s:
- How they made money.
- How they started.
- What the site costs to run.
And things of that nature in connection to their position as pirates.
“Did you ever feel a cognitive disconnect making money – regardless of what that money was used for – by providing illegal streams of the artists’ work, without a dime of it going back to the artists themselves? You weren’t subtitling them yourselves, either, just using external fansubs, and making money by
streamingthem. Did that ever bother you? Did you ever stop and think “what are we doing?”
Vu Nguyen responded:
“I wouldn’t say that, but a lot of people don’t realize how much work and money it takes to keep a website running. All of the donations went into operating expenses. We put in countless hours every week after work and school to make it a good site. We weren’t trying to make a profit, but just keep the site running. We believe the same thing fansubbers do, that by growing the popularity of anime, we are growing the fanbase and the industry. I can’t comment directly on it, but I can say how the anime and fansub community even began.”
The interview continued like this for 3 pages, with ANN grilling Crunchyroll and asking them hard questions with a lot of aggression behind it.
This would be the last time ANN did this considering what happens later with Crunchyroll as a company.
Tokyo TV is also a company who wasn’t fond of Crunchyroll during those times.
2. $4.05M investment that changed the direction of Crunchyroll
Money is business and business is money. It’s what makes a business operational and worth pursuing.
Before 2008 the owners who worked on CR also did part time to support the business, but once 2008 came along that was all in the past forever.
A company called Venrock invested over $4M into Crunchyroll, which is what set the stage for their transition from pirate to a legit
Before this “change” companies like Funimation and Bandai Entertainment caught wind of the news and didn’t like what they saw. Mostly because pirate content was still available on Crunchyroll’s site.
It was around 2009-2010 when this would change in a real way, and the move to legal distribution began just as Crunchyroll promised to companies like Tokyo TV.
3. 2010 onwards
Crunchyroll-Hime, the mascot behind Crunchyroll was born out of a contest (2012) that had a certain artist win and
Since then Crunchyroll-Hime has been a major part of the brand, its advertising, marketing material,
They’ve created exclusive content around this mascot, and have even had Hime cameo in anime like Kemono Twins.
They even do and have built stories around Hime, which no doubt has built up their brand because Hime is famous in the anime community (in general).
Its made Crunchyroll more relatable and relevant.
2013 is the year Crunchyroll started publishing
It’s also the same year Crunchyroll received a bigger investment than ever from News Corp, to the tune of $100 million. AT&T joined 1 year later and they both put in over $500 million for Crunchyroll’s expansion.
This eventually lead to having at least 1000+ titles (USA) on their platform. And the development of
6-7 years later (2020-2021) is when Sony stepped in and bought Crunchyroll from AT&T for over $1 billion dollars. The rest is history.
4. Crunchyroll and Funimation becoming ONE
Crunchyroll now has all of Funimation’s content on their platform. Sony has phased out Funimation and all their products will slowly move to CR and be finalized by April 2022.
That means subscriptions from Funimation will be dealt with by Crunchyroll, and presumably their employees will transition over as well.
Many are calling this a good thing now that Crunchyroll is truly a monopoly who literally owns anime as far as having the biggest dedicated anime
Whether that’s true or not is to be seen. But any stupid, self centered mistakes will lead to more piracy. The ball is really on Sony and Crunchyroll’s court now and the world is watching with high expectations.