Anime piracy is a big topic right now, especially because of KissAnime being taken down for good this time.
I never expected it to happen considering they’ve avoided it for so many years. That’s why it was trending on Twitter since anime fans worldwide were shocked.
So where do we go from here?
What’s the solution to fixing anime piracy, and is it a GOOD thing KissAnime was taken down?
From where I’m sitting there’s a few ways to solve this problem. Some solutions I’ve mentioned in the past.
Let’s get to it.
How Anime Piracy NEEDS To Be Fixed:
We’re all too familiar with the typical “region blocking” in the anime industry.
When you’re outside the USA or Japan, region blocking is one of the MAIN issues that causes piracy.
Even here in the UK you can’t watch a massive catalog of anime with:
And other platforms because of region blocking.
I can’t watch all the anime I want without using some form of piracy.
That’s a fact and only idiots or people who profit exclusively from legal
Outside the UK is even worse
One of the biggest issue I’ve had to reckon with as a writer and creative person is piracy. Most of my life, I’ve relied on piracy
websitesbecause I couldn’t access certain western shows in India. I wasn’t into anime then. Illegal streams and torrenst was the only way to go
— Rach (@SocialNomadRach) August 17, 2020
Also Region locking anime is a f*cking atrocious practice that needs to END. The amount of weebs in France rivals America 10fold and they get shafted when CR leaves shows off for no reason guess what piracy will be there. And big companys can deal.
— Rince 💧 Dystopia: LOSE MYSELF NOW! (@RinceofDreams) August 17, 2020
If we want to avoid piracy, something has to be done about region locks on places like Crunchyroll. For example, there are tons of anime I can’t watch in the Philippines BUT I can if I went to Singapore.
I get my anime dose from Netflix, Muse Asia etc but more has to be done.
— Gab 👨🏼🎓 #JunkTerrorLaw (@gabhoshi) August 16, 2020
oh i absolutely agree that piracy hurts studios but MANY anime
streamingcompanies don’t reach places like the middle east, africa or india. so they must turn somewhere that they can get that content. when people don’t wanna pay for something they won’t, that’s just a fact.
— ًval is semi ia (@bkgluver) August 17, 2020
I think these companies have to make a better effort as well.. How do they not expect piracy when their anime is drastically limited by region.. I live in africa right where out anime distrubution is poo, funimation cruncyroll hulu all not here. Can only get anime on Netflix.
— Droups Coup (@Droups_Coup) August 15, 2020
As you can see from the Tweets, in countries. continents and places like:
- Africa in general
- Parts of Europe
- Middle East
And so on, streaming is hard to come by. And so just like here in the UK, people are forced to “pirate” content.
That means using anime pirates to keep up to date with their favorite anime shows. Especially currently airing anime.
To ignore the BIG issue with region blocking with all that “self righteous” BS is to be ignorant to the reality of anime
The world doesn’t shine out of the USA”s or Japan’s ass, anime stretches further than that. Ideally the issue of region blocking MUST be fixed going forward.
If it’s not? Then the war of anime piracy will continue forever, and legal companies will forever play the game of whack-a-mole.
That’s a fact.
Let’s go back to 2019 for a second.
These anime shows are:
- Descandance Of A Bookworm.
- If It’s or My Daughter.
- Magical Sempai.
- Demon King Academy.
Crunchyroll obviously has a license for these shows. As does Funimation with different anime.
When it comes to “new” anime shows and anime that are currently airing, licensing is never an issue.
Almost always Crunchyroll, Funimation, or whoever else has it under control. So it’s sensible to pay for
But as for anime shows that are:
- 3 years
- 5 years
- 10+ years old
Or more, this is where it becomes an issue to legally watch those anime shows if that’s what you’re looking for.
They have a business to run, people to pay, and profits to gain. So it makes no sense to do that
But at the same time – that’s why people turn to anime pirates, to WATCH the anime that
The only time
- They can afford to.
- The anime is a BIG franchise.
- The anime has a BIG audience.
- Or it’s a long running anime series.
In these scenarios it makes a lot of sense because these anime will:
- Draw attention to their platform.
moneyin the bank.
- Promote and market their services.
- Become an asset.
But there are at least 10,000-12,000+ anime shows in existence.
Not everyone wants to watch the most popular anime all the time. Some want the underrated shows (which no
And others like myself want some of the more old school anime that you can’t find anywhere else.
And no one in their right mind (especially Millennials or younger) will
- Add clutter.
- Are less convenient than digital.
- And are harder to get your hands on.
So it’s not a good excuse or option to suggest fans to
That’s not how it works and never has worked.
Solve the issue of licensing, or at least make it good enough and piracy will DROP.
Simple as that.
3. Central website for anime
Think of it like a “Netflix” but for anime
This is something I’ve always recommended. If anime sites or companies come together, they can provide a better service.
It’s not rocket science, but Japanese companies act like it is.
By having a “one stop shop” for anime
- You can watch as many anime as you want.
- Without restrictions.
- Without delay.
- Without limiting the selection.
- Without worrying about region blocks.
- And without needing to subscribe to different services.
At least that’s the idea anyway.
This would give the anime industry more power, control and influence.
What matters here is the execution. Meaning “how” they go about it and the mechanics of making it happen.
4. “YouTube style” anime service
Now imagine a YouTube style anime service where:
- Anime companies have channels.
- You can subscribe to those channels.
- Pay anime studios and companies on those channels.
- And have direct conversations with those studios.
This is an idea I can see working. But it will obviously take some REAL work to bring it together.
With this method, you can support the anime studio you love most. And pay and support them in different ways.
You can even have direct conversations with them about upcoming anime and so on.
From a business point of view this can be supported through:
- Affiliates and partnerships.
And so on.
Even if the anime industry doesn’t do any of the last 2 points, the FACT remains that:
- Anime licensing
- Region blocking
These are the biggest issues that need solving as soon as possible.
These 2 problems are the reason anime piracy (and pirates) exist.
Anime is worldwide now, and you can’t force everyone to follow some self righteous buullsh*t narrative without fixing the issues at hand.
Otherwise anime fans (especially outside US and Japan) will keep:
- Using anime pirates
- Contributing to piracy
And everything else to watch the anime they can’t with legal
After all – this is a SERVICE problem, not a piracy problem.
“We think there is a fundamental misconception about piracy. Piracy is almost always a service problem and not a pricing problem.
If a pirate offers a product anywhere in the world, 24 x 7, purchasable from the convenience of your personal computer, and the legal provider says the product is region-locked, will come to your country 3 months after the US release, and can only be purchased at a brick and mortar store, then the pirate’s service is more valuable.” – Gabe Newell